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The Cooler, as icy a title as you're likely to find, is about the efforts of one man to find his luck (or, to be more precise, some form of luck other than that of the bad variety). Rarely has a more pathetic individual been captured and portrayed ...

Creed II, the follow-up to 2015’s surprisingly successful Creed, runs afoul of a common problem to plague unplanned sequels: the need to match audience expectations trumps all other concerns, including creative latitude. The eighth installment...

Creed III is the first Rocky movie without Rocky. Considering the imbalance created by the Stallone/Jordan dynamic in Creed II, the decision to excise the Italian Stallion from the narrative framework makes sense. The Creed movies need to move forw...

Crossing Over is Wayne Kramer's Crash-inspired look at the world of immigration in Southern California. Like Paul Haggis' Oscar winning film, this one is replete with coincidences and contrivances but, unlike Crash, it also features too many insta...

Call it The Golden Compass rule: No multi-part movie series should be started without a reasonable certainty that the story will be told in full. And, although The Golden Compass’ planned sequels were the first recent films to fall afoul of t...

The Express is the latest movie to join an ever-expanding subgenre of the "sports movie" category: fact-based films that explore the impacts of integration into various contests during the latter half of the 20th century. We have already seen prod...

It's a little surprising to encounter a film like Feast of Love in multiplexes, because it is made for adults. After a summer of pyrotechnics and incredibly dumb scripts, it's a change of pace to find something that aspires to run for 100 minutes w...

Fracture is refreshingly different from the average mystery thriller in that it does not bombard the audience with "shocking" twists and "surprise" turns. This is a good thing, since those kinds of gimmicky plot elements more often than not derail...