Filters:

The kind of movie one can watch and appreciate on both an emotional and intellectual level but without having to do much heavy lifting.

For this much-delayed sequel, director Tim Burton has hewed close to the strengths of the original, repeating them when appropriate and acknowledging them when not.

A collage of Hitchcockian elements baked into a story with a more graphic approach than anything the Master of Suspense ever achieved.

Perhaps those familiar with the game will find enough in the way of fan service to somehow redeem this unfocused abortion of a motion picture.

Although better than it has a right to be and represents a worthy way to dispose of a couple of hours lying on the couch at home, this is hardly a triumphant return for Axel.

At best, it can be considered as an adequate thriller/comedy chock full of generic action and stale humor.

I could learn a lot more about Winehouse by listening to her music than by watching this by-the-numbers sketch of her adult life.

When the warped humor and unallayed brutality are working hand-in-hand, this is a fun (if bizarre) experience.

It is never a good sign when any documentary elements of a bio-pic are more arresting than the dramatized portions.

A David Ayer/Jason Statham collaboration in 2024 is something to be avoided if any sort of investment of time or money is involved.