Filters:

Director Harbaugh presents grief as it is, in all its pain and ugliness, rather than using the convenient, uplifting short-hand that Hollywood prefers.

Part romantic-comedy and part coming-of-age story, this is an upbeat, uplifting, and teen-friendly crowd-pleaser.

Run Time: 1:48
U.S. Release Date: 2018-02-16
MPAA Rating: "R" (Violence, Profanity, Sexual Content, Brief Nudity)
Genre: Thriller
Director: Tim Hunter
Cast: Nicolas Cage, Robin Tunney, Marc Blucas, Ernie Lively, Jacque Gray, Kassia Conway

Although the screenplay knows how to set things up, it fails to deliver down the stretch, leaving us with a by-the-numbers resolution.

Run Time: 2:05
U.S. Release Date: 2017-11-03
MPAA Rating: "R" (Profanity, Sexual Content)
Genre: Drama
Director: Richard Linklater
Cast: Steve Carell, Bryan Cranston, Laurence Fishburne, J. Quinton Johnson

A thoughtful meditation about war and surviving in its aftermath.

Highlighted by an awards-worthy performance by Saoirse Ronan and structured around a light, witty script, the movie delivers a coming-of-age snapshot.

Run Time: 1:34
U.S. Release Date: 1986-11-26
MPAA Rating: "PG-13" (Violence, Profanity)
Genre: Musical
Director: Frank Oz
Cast: Rick Moranis, Ellen Greene, Vincent Gardenia, Steve Martin, Tichina Arnold, Michelle Weeks, Tisha Campbell, Levi Stubbs

A second look at the 1986 musical, "Little Shop of Horrors".

A 90-second toy commercial is generally innocuous but stretch it out to 90 minutes and it can be a challenge to endure.

An atmospheric period-piece murder mystery, The Limehouse Golem combines elements of Sherlock Holmes and Jack the Ripper.

Run Time: 1:29
U.S. Release Date: 2017-09-01
MPAA Rating: "R" (Profanity, Sexual Content, Drugs)
Genre: Comedy
Director: William H. Macy
Cast: Alexandra Daddario, Kate Upton, Matt Barr, Matt Jones, Kal Penn, Rob Corddry, Molly Shannon

"The Layover" is an appalling movie – an unpleasant, unwatchable example of why people no longer love romantic comedies.

While "Logan Lucky" is 3/4ths of a very good movie, the final half-hour becomes narratively unfocused as it strives to tie up some loose ends.